WHILE THE ELECTION frenzy was at its peak, the National Heritage Month was being celebrated. The charged atmosphere of the campaign and the election itself had all but eclipsed the various heritage-related activities in the month of May but it was good to take time out for some cultural treasures that were offered for us to relish and marvel at.
One of the events I attended was the performance of the Misa Baclayana at the Manila Cathedral in Intramuros with the famous award-winning Loboc Children’s Choir of Bohol singing. It was one of the heritage offerings of the Intramuros Administration headed by Bambi L. Harper.
I was impressed. In terms of grandness Misa Baclayana may not be in the league of the famous "Masses" by Mozart, Bach or Brahms but it has its own melodious allure. Although the sung parts from the Misa Baclayana were in Latin, the Mass, officiated by Archbishop Jesus A. Dosado, was in English. At the pipe organ was Alejandro Consolacion.
The music blended well with the post-Vatican modern liturgy as we know it. I don’t know if it will stand out just as well within the Tridentine Latin Mass that traditionalists are trying to revive. I liked the sound of the old hymns blending with contemporary liturgical worship. To paraphrase and juggle some words from St. Augustine, it was ancient beauty that sounded so new.
Discovered only a few years ago in Baclayon Church in Bohol, Misa Baclayana is an old musical score believed to have been written in the 1800s.
But a lot of credit must go to Maria Alexandra Inigo-Chua, musicologist, professor, researcher and author of “Kirial de Baclayon Ano 1826: Hispanic Sacred Music in 19th Century Bohol, Philippines” (Ateneo de Manila University Press, 2010). Her study focuses, in particular, on the “Kirial de esta Yglesia de Baclayon” dated 1826 which contains Mass cycle compositions used in the liturgy of the Catholic Church.