UT IN OMNIBUS GLORIFICETUR DEUS.

Thursday, June 28, 2007

The way of ‘he’ in Nanjing

Nanjing, China—“O God, with a thousand names…” I could have invoked. What is striking about this picture? Close to 200 eminent persons belonging to and professing different religious faiths, as well as eminent persons not professing any faith, gathered together at the 3rd Asia-Europe Interfaith Dialogue in Nanjing, China. (Two previous ones had been held in Bali and Larnaca.) They came from 39 Asian and European countries. Diplomats and government officials outnumbered the religious leaders and civil society representatives. The majority (124...

Thursday, June 21, 2007

‘Trauma, interrupted’: Naming the pain

What can art do in the face of global suffering? Can artists interrupt the trauma or do they intensify the pain when they step into it and try to do something to ease it? These are some of the questions posed by women artists in the art exhibit “Trauma, interrupted” at the Cultural Center of the Philippines (June 14–July 29). The art works in different media are the 18 artists’ expression of their deep emotions (rage, shame, hope, peace) and resolve that have arisen from pain and trauma they’ve had to deal with—their very own or the collective...

Thursday, June 14, 2007

The power of “The Ninth”

Pacifists, fascists, religious, communists, Nazis, romantics, tyrants, humanists, revolutionaries, despots, freedom fighters. What do they have in common? They have felt inspired by Ludwig van Beethoven’s Ninth Symphony, particularly its fourth and last movement known as “Ode to Joy.” What is it about “Ode to Joy” that movements and leaders who hold divergent beliefs and ideologies have claimed it to be the anthem that embodies their quest? Last week the German Cultural Center held another screening of “Tne Ninth”, the award-winning documentary...

Thursday, June 7, 2007

The grace of remembering

Last week’s column (“Disappeared”) which was about remembering those who vanished in the night, and where I used excerpts from an article (“The Missing and Dead and those who Survive to Tell the Story.”) that I wrote in the 1980s elicited some heart-tugging feedback. One of them was from poet Grace Monte de Ramos who had been moved many years ago by that feature story that came out in the Mr.& Ms. Special edition (the “subversive” edition edited by the present Inquirer editor in chief) and was “provoked” to write a poem. For Grace, last week’s...