That’s Tama (right/correct) indeed, we didn’t miss out on the letter d. But before that d disappeared, there is Juan Tamad of Philippine fable, the stereotypical lazy, lethargic Filipino who just waits for the proverbial guava to fall from the tree and into his mouth.
Once again, Juan Tamad takes center stage on a circa 2010 life, but this time he metamorphoses into Juan Tama. And indeed, it takes a village, so to speak, to transform him from obduracy into advocacy.
“Si Juan Tamad, ang Diyablo at ang Limang Milyong Boto” (directed by Phil M. Noble), the latest offering of the Philippine Educational Theater Association (PETA), is the thing to watch especially by first-time voters, or virgin voters, as PETA calls them.
Set in the imaginaryisland of Isla Filiminimon , the musical revolves around Juan Tamad (nicknamed JT), the son of two overseas Filipino workers toiling in Isla Agimat. Juan’s parents open the story and introduce their son who grew up with his grandmother but who turns out to be a lazy, apathetic 21-year-old. (Juan is played by Marvin Wilbur T. Ong and Victor B. Robinson III.)
Set in the imaginary